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Comedy of Animals

by Church of Betty

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1.
Blood and roses blooming under the sun, shadow religion. A song awakens in the darkest corners of the heart. A song awakens from the sweetest misery. Blood and roses. Blood pouring over the castle wall. Roses growing up from the blood spattered ground. Blood and roses blooming under the sun, shadow religion. A song awakens in the darkest corners of the heart. A song awakens from the sweetest misery. Blood and roses. Blood pouring over the castle walls.
2.
Onion 03:34
Peel the onion, layer by golden layer. Gently remove the thin dry skin. Circle on circle of tender, pulpy flesh. Deeper and deeper, more of the same. Layered eternity, like the onion. More of itself inside, repeating to the core. Peel the onion, like a ripened jewel. Beware the bitter, stinging blood. Savor the tartness, fire on your tongue, acid protection of the flower. Give me the painful love of the onion. Rub it into my cuts, let me feel the heat. The more that you see baby, same old thing seem deeper. You see differently. Layered eternity, like the onion. Give me the painful love of the onion.
3.
All the dirty little secrets shared in confidence on the phone. The pathetic little miseries, laughing at failure and shame. I confide to you a private life not even a mother could love. You recognize the comedy of animals. War stories of cheap conquest, confessions of selfishness.
4.
Fallen Arrow 04:03
5.
The Hill 02:21
Sitting on a bed of sweet onion grass in a sunlit field. Eyes are following butterflies through the weeds and vines. Seeking the spirit beneath the leaves. Branches and stones hide the secrets beyond our eyes. Where’s the light inside? Will this hill ever be climbed? Tasting of the orchards far from the roads. Fruits if the earth donated by a distant god wearing wreaths of fire. How we long to feel this light.
6.
Tiger Lily 03:14
Tiger lily, dangerous and wet. Tiger lily, dangerous and wet. Smell of eucalyptus and black earth. Taste of bitter roots and sour herbs. It’s all emotion moving me. Welcome to night time. See the colors glow through the dark envelope. I picked a flower, touched it to my lips. Stinging nettles cut into my skin. Secret poison sonnets filled my ears. Tiger lily drinking from my tears. On stormy water I sailed away. It’s all emotion moving me. Welcome to night time. See the colors glow through the dark envelope.
7.
8.
It’s all been said, it’s all been done. This guilded box is all used up. Tonight I’m turning the page to a new chapter. Tonight I’m busting the cage for greener pastures. Bye bye bye bye bye bye bye! I did my job as best I could, but now my heart has turned to wood. New love is calling my name across the mountains. Never stop moving toward the shiny fountain. All gone, I fly tonight. So long, I fly tonight. My will be done, I fly tonight. It’s all been said, it’s all been done. I laid my soul out like fresh carrion. Just one last pick at the bones, I’m moving on. I’m taking this blistering heart to new horizons. All gone, I fly tonight. So long, I fly tonight. My will be done, I fly tonight.
9.
Pound Cake 04:03
10.
Ordinary Boy 05:25
Thousand and thousand of faces, an ordinary boy wandering crowded streets. No one sees an ordinary boy getting by, living on dreams. Buyers and sellers colliding, an ordinary boy passing through town market. No one sees ordinary boy making due, living on dreams.Maybe a movie star one day, an ordinary boy imagines his future. No one believes ordinary boy making due, living on dreams. Thousand and thousand of faces, an ordinary boy wandering crowded streets. No one sees an ordinary boy getting by, living on dreams.

about

The 1st of 4 albums with the core lineup of Chris Rael, rhythm section Jon Feinberg & Joe Quigley, & tabla master Deep Singh. Composer Rael enters his prime.

“Church of Betty recall an era where experimentation with exotic sounds was the norm and not a novelty, without coming off like drippy neo-hippies… a sound that’s seductively charming.” - Cover Magazine, July 1999

“Like Cornershop, only with chops and tunes… Chris Rael’s brash new world of raga, ghazals, Bombay filmi, and smart street-corner prog rock just gets better all the time.” - Village Voice, June 1998

credits

released March 1, 1998

(c)1998 by Chris Rael (Morbid Stork Music, BMI)
Fallen Arrow by Karla Schickele, Hide Your Love Away by Lennon
Produced by Chris Rael & Kenny Siegal
Recorded by David Voigt
Mixed by Bryce Goggin, Rael & Siegal
Mastered by Chris Athens
Chris Rael: voice, sitar, guitar, keyboards, trumpet, vibes
Jon Feinberg: drums, percussion, mellotron
Deep Singh: tabla
Joe Quigley: bass
Kenny Siegal: guitar, lapsteel, organ, voice; Gwen Snyder: accordion, voice; Gregor Kitzis: violin, viola; Sam Bardfeld: violin; Claire deBrunner: bassoon; Paul Mueller: dulcimer; Marlon Cherry: voice; Simon 7: didjeridoo
Art: James Williamson

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Church of Betty Brooklyn, New York

New York City's long running progressive world chamber rock ensemble performs innovative pop with rock band, sitar, bassoon, string orchestra and a chorus of soaring voices. "Brilliant" - Billboard "Irresistible" - New York Times

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